Home Worship for October 18, 2020

Dear members of God’s family at Resurrection Church,

This Sunday, we will challenged to examine our commitments and loyalties to God, creator of all things, and to Christ our Lord. If you are able, join the congregation with your own worship at home at 10am on Sunday or otherwise engage our home worship resources in ways appropriate to your circumstances at home.

Worship Service

A pre-recorded worship service, complete with readings, Pastor Linman's sermon, prayers, and music will broadcast at 10am on Sunday, October 18, on our YouTube channel and will be available below:

Worship material for October 18, 2020

The following have been posted to YouTube; here is the YouTube Playlist for October 18, 2020:

Music Notes

Hymn of the Day: “O God Of Every Nation” #713
Text: William W. Reid, Jr. (1923-2007)
Tune: LLANGLOFFAN, Welsh tune, 19th cent.

In 1958 William W. Reid, Jr. submitted this hymn text to a contest sponsored by the Hymn Society of America in conjunction with the Department of International Affairs of the National Council of Churches. The text won first place and was sung at the opening session of the Fifth World Order Study Conference held in Cleveland, Ohio, on November 13-21, 1958. It was published in the Hymn Society's Twelve New World Order Hymns (1958). "O God of Every Nation" is a beautiful prayer for God's shalom to reign over the whole world; for truth, love, and justice to preside over human affairs; and for an end to Warfare with its "trust in bombs that shower destruction" (st. 2). As war and rumors of War continue to plague our world; the final stanza holds before us the vision of a new heaven and earth in which "Christ shall rule victorious.”

This tune was originally published using another tune. However the prophetic power of LLANGLOFFAN, has made the association with this text a strong one.

Musical Meditation: Finale: Andante from Sonata #6 in D Minor, Felix Mendelssohn (1809-1847)

The Organ Sonata #6 in D minor (1845) demonstrates Mendelssohn’s consummate craftsmanship and mastery of organ texture in a set of variations upon the Lutheran Bach chorale Vater unser im Himmelreich (BWV416). Following a five-part harmonization of the Chorale, which pervades the sonata as a whole, Mendelssohn presents four variations of increasing brilliance before a restatement of the Chorale. The Finale is the only movement in which the chorale tune does not appear.

Mendelssohn’s Organ Sonatas revitalised the then-moribund European organ tradition, spurred English organ-builders to new heights, and, through his particular blend of chorale, counterpoint and domestic spirituality, substantially augmented the organ repertoire for the first time since Bach.