Dear members of God’s family at Resurrection Church,
Today, we celebrate All Saints and remember and give thanks for the many in our lives and in the life of the church who have gone before us, pointing us always to Christ Jesus. If you are able, join the congregation with your own worship at home at 10am on Sunday or otherwise engage our home worship resources in ways appropriate to your circumstances at home.
A pre-recorded worship service, complete with readings, Pastor Linman's sermon, prayers, and music will broadcast at 10am on Sunday, November 1, on our YouTube channel and will be available below:
Worship material for November 1, 2020
- Home Worship Bulletin for November 1, 2020
- Children's Bulletin for November 1, 2020
- The transcript of Pastor Linman's sermon
The following have been posted to YouTube; here is the YouTube Playlist for November 1, 2020:
- Musical Meditation: Requiem, Giacomo Puccini, Anthem by the choir, with Suzanne Tsitsibelis on flute
- Psalm 34:1-10, 22
- Pastor Linman's recorded sermon
- Hymn #422: “For All the Saints"
- Hymn #418: “Rejoice in God’s Saints”
- Organ Voluntary: Allegro molto from Sonata #6 in D Minor, Felix Mendelssohn
Musical Meditation: Choir Anthem
“REQUIEM,” Giacomo Puccini (1858-1924)
Puccini wrote this short Requiem – actually the setting of the antiphon to the Introit of the Mass for the Dead – as a commission for the publisher Giulio Ricordi for the fourth anniversary of the death of Giuseppe Verdi (1905).
Requiem æternam dona eis, Domine, et lux perpetua luceat eis.
Eternal rest grant unto them, O Lord, and let perpetual light shine upon them.
Hymn Of The Day: “for All The Saints” #422
Text: William W. How (1823-1897), tr. Catherine Wentworth (1827-1878)
Tune: SINE NOMINE, Ralph Vaughn Williams (1872-1958)
Ralph Vaughan Williams composed SINE NOMINE for this text and published it in the English Hymnal in 1906. Vaughan Williams wrote two harmonizations¬–one for unison stanzas and one for choral stanzas. The tune's title means "without name" and follows the Renaissance tradition of naming certain compositions "Sine Nomine" if they were not settings for preexisting tunes.
Equipped with a "walking" bass, SINE NOMINE is a glorious marching tune for this great text. Many consider this tune to be among the finest of twentieth-century hymn tunes. Allowing the "alleluia" phrase to enter before our expectation of it is a typical and very effective Vaughan Williams touch.
"For All the Saints" is considered to be William W. How's finest hymn text. Originally in eleven stanzas, it was published in Earl Nelson's Hymns for Saints' Days (1864) with the heading, "Saints' Day Hymn.
Allegro molto from Sonata #6 in D Minor, Felix Mendelssohn (1809-1847)
The Organ Sonata #6 in D minor (1845) demonstrates Mendelssohn’s consummate craftsmanship and mastery of organ texture in a set of variations upon the Lutheran Bach chorale Vater unser im Himmelreich (BWV416). Beginning with a five-part harmonization of the Chorale, which pervades the sonata as a whole, Mendelssohn presents four variations of increasing brilliance before a restatement of the Chorale. Today’s voluntary features the beginning chorale and fourth variation.
Mendelssohn’s Organ Sonatas revitalised the moribund European organ tradition that existed at the time, spurred English organ-builders to new heights, and, through his particular blend of chorale, counterpoint and domestic spirituality, substantially augmented the organ repertoire for the first time since Bach.